Wednesday, November 14, 2007

Christopher Post 11

Christopher McCauley

Question 1

Most everything has an image or multiple images associated with it. War especially has images associated with it because it is such a huge thing in today’s world. The War on Terror or the War in Iraq (or whatever they are calling it these days…), has been going on for several years now. It has had a huge impact on the globe. One reason that it has had a huge impact is the fact that we have images that can show us the horrors of war, rather than just a few words to describe it.

What does it mean to be an image of war? And just because an image may be of war, does that mean that it is “official”? An official image is one that has become “standard,” or incredibly recognizable. There are certain images that people think of when they think of the War on Terror. Several of these images are of the attacks on September 11, 2001, on the World Trade Center in New York City. If these attacks had never happened, there would not be a war going on right now, in my opinion. Therefore, such images are highly relevant in the history of the War on Terror in Iraq.

Sometimes we can also see parallels between two wars, and images associated with those wars can show this. A famous photograph from World War II shows a flag being raised by soldiers amidst the clutter and rubble of battle in Iwo Jima (a small island in the Pacific). There is an image from 9-11 depicting a flag being raised amongst the rubble of the attacks as well—there is an eerie similarity between the two photographs. Each are beautiful images, which are highly recognizable as photographs of war.

During this war, the Iraqi government has been reformed into a crude democracy. Within the past few years, the first elections have occurred in Iraq in its entire history. When Iraqi citizens voted, they were required to stick their finger in purple ink, to signify that they had voted. An image of this (shown below), has become official because of its widely recognizable symbolism of increasing freedom in Iraq. This photograph depicts what little triumph US involvement has triggered in Iraq, and may also symbolize future advancements.

Question 2

“Sontag argues that we should ignore the images as such and focus on the events depicted in them.” I would absolutely agree with this argument. Yes, content in images can be dangerous; however, sometimes it is important for these images to be seen to get messages, themes, and news across. “Photographs have laid down the tracks of how important conflicts are judged and remembered.” In the modern world, photographs have become an integral part of history, and are extremely important. Take for example, the photograph of Mary Ann Vecchio kneeling over the body of a dead student at Kent State in 1970. It is a horrible image, and beautiful image, and at the time (and even still today) a necessary image. This shows what horrible things war can do. Even in peaceful protests, a “war” erupted, and killed a human life. Someone in that picture died. The look of pain, sorrow, and despair on Vecchio’s face embodies this completely and beckons to the viewer, for help, and for answers. We are in a way, included in this photograph. Sontag even said, “Photographs are us.”

Question 3

I am not a proponent of censorship of war photography; therefore I do not think it is right to hide war images during wartime. If a war is going on, people need to know about it. They best way to know about it is to see it. Photography has given our society that advantage. Whether or not such photographs are damaging does not matter. Being able to view these images, such as the photographs from Abu Ghraib, is such an asset to our society. It helps us see what war can do to our people, and to humankind. It is an atrocity, and yes these pictures paint a group of American soldiers and beastly and barbaric, but these photographs serve a purpose of anti-war. These images may prevent war from occurring again, or help resistance to war spread.

http://www.wgerlach.com/archives/disasters/index.html

http://www.britannica.com/eb/art/print?id=71966&articleTypeId=0

http://teachpol.tcnj.edu/amer_pol_hist/thumbnail399.html

http://www.fairvote.org/blog/?p=20

http://www.worldsfamousphotos.com/kent-state-1970.html

2 comments:

Tawny Najjar said...

Christopher made a good point when he quoted Sontag as saying, "Photographs are us." This is a valid point, because in most occasions, photos depict the reality of life. The pictures from Abu Ghraib are horrible to view, but more horrible is the ideology behind them, the thought that these actions are permissible and allowable. Instead of merely critiquing the impact that photos may have, people should be focusing on what makes people take these pictures, and why many people found these photos to be humorous.

Ted Henderson said...

I do agree with you, Christopher, that, were it not for the September 11th terrorist attacks on the World Trade Center towers, the Bush administration's declaration of war on Iraq never would have been given a "thumbs up" by the rest of congress, nor the American public. Images of these terrorist attacks, such as that which you chose as an example for your post, further senses both of national patriotism and international fear within American minds. This heightened national pride among American citizens allowed President Bush a good amount of leeway in his pursuit of conflict with Iraq, while in reality, Saddam Hussein had very little at all to do with the 9/11 terrorist attacks. This is all a testament not only to how powerful and emotionally stimulating images can be, but to how leaders and decision makers can use such qualities of images to their advantage, be there cause as flawed as it may.